Historical Figures Codexery

Soad Hosny

Egyptian actress known as the Cinderella of the Screen.

Soad Hosny was an Egyptian actress widely known as the 'Cinderella of the Screen' and regarded as one of the most influential actresses in the Middle East and the Arab world. She played leading roles for many of Egypt's top directors in a career spanning 83 films between 1959 and 1991, earning several national and international accolades.

born
26 January 1943, Boulaq district, Cairo, Egypt
died
21 June 2001, Westminster, London, United Kingdom
field
Actress
nationality
Egyptian
known_for
Cinderella of the Screen; iconic Egyptian film actress; 83 films; nine films in the greatest 100 Egyptian films

Lore & Background

Soad Hosny was born in the Boulaq district of Cairo to an artistic family. Her father, Mohamed Hosni, was a renowned calligrapher, and her half-sister was the singer Nagat El-Sagheera. She began her career at age three singing on the children's TV program Papa Sharo. Her film debut was in Hassan and Naima (1959), and she quickly rose to stardom at the end of the 1950s. Her most famous film is Watch Out For Zouzou (1972), which led many to nickname her 'Zouzou'. Her final screen appearance was in The Shepherd and the Women (1991), directed by her ex-husband Ali Badrakhan.

Hosny was married four times, including to film director Ali Badrakhan and to Zaki Fatin Abdel Wahab. Persistent rumors claimed she secretly married singer Abdel Halim Hafez, but her family denied this. She died on 21 June 2001 after falling from the balcony of a friend's apartment in Westminster. British authorities ruled her death a suicide, but the ruling was disputed by some due to allegations surrounding the case.

Reader's Guide

Soad Hosny is significant as one of Egypt's most iconic female performers of the 20th century, with a career that spanned over three decades and 83 films. She worked with every important Egyptian director of the 1960s and 1970s, playing complex roles that ranged from light comedies to political satire. Her films often gave voice to the oppressed, and she was seen as part of the intelligentsia. Nine of her films are among the greatest 100 in Egyptian cinema history. Her legacy endures as a symbol of Egyptian cinema's golden age, though her death remains controversial.

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