Historical Figures Codexery

Donatello

Italian sculptor who revived classical forms in the Renaissance.

Donato di Niccolò di Betto Bardi (c. 1386 – 13 December 1466), known mononymously as Donatello, was an Italian sculptor of the Renaissance period. Born in Florence, he studied classical sculpture and used his knowledge to develop an Early Renaissance style. His David was the first freestanding nude male sculpture since antiquity, and he worked with stone, bronze, wood, clay, stucco, and wax, using glass in inventive ways. He developed a new, very shallow type of bas-relief for small works and produced architectural reliefs for pulpits, altars, and tombs, as well as Madonna and Childs for homes.

born
c. 1386, Florence
died
13 December 1466
field
Sculpture
nationality
Italian
known_for
First freestanding nude male sculpture since antiquity (bronze David); development of Early Renaissance style; shallow bas-relief

Lore & Background

Donatello was born in Florence, probably in 1386, the son of Niccolò di Betto Bardi, a wool-stretcher. His first documentary appearance is in January 1401, when he was accused in Pistoia of hitting a German with a stick. He appears to have befriended and perhaps worked with Filippo Brunelleschi there. Both returned to Florence in early 1401, and after the Baptistery doors competition, they left for Rome together to study ancient remains, supporting themselves through jobs for Roman goldsmiths. Donatello later worked as an apprentice in Lorenzo Ghiberti's studio from 1404–1407, and from 1406 began stone carving at the cathedral.

Reader's Guide

Donatello's significance lies in his role as a pioneer of Early Renaissance sculpture, breaking from the International Gothic style he learned from Ghiberti. His bronze David, commissioned by the Medici family, is celebrated as the first freestanding nude male statue since antiquity, displaying sensuous eroticism rarely seen in his other works. He developed a very shallow bas-relief technique for small works and produced numerous architectural reliefs. His career included periods in Rome, Padua, and Siena, where he introduced his techniques to other parts of Italy. Despite his amiable nature, he was poor at business, often accepting more commissions than he could handle, and died in modest circumstances. His technical quality varied, especially in bronze, where casting faults sometimes occurred.

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