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Ruan Lingyu

Silent film star whose tragic death made her an icon of Chinese cinema.

Ruan Lingyu (born Ruan Fenggen; April 26, 1910 – March 8, 1935), also known as Lily Yuen, was a Chinese silent film actress. She became one of the most famous film stars in China during the 1930s, and her exceptional acting skill, along with her suicide at age 24, made her a lasting icon of Chinese cinema.

She was born to a working-class family in Shanghai, with ancestral roots in Xiangshan, Guangdong. Her father died when she was young, and her mother worked as a housemaid to support them.

In 1926, at age 16, Ruan joined the Mingxing Film Company to help her family financially. Her first film, *A Married Couple in Name Only*, directed by Bu Wancang, came out that same year. Two years later, she moved to Da Zhonghua Baihe Company, where she made six films. Her big break came in 1930 with *Spring Dream of an Old Capital* (also called *Reminiscences of Beijing*), a major hit in China. This was her first major project after signing with the newly formed Lianhua Studio, and she played a prostitute named Yanyan.

After that, Ruan became Lianhua’s leading star. Her most memorable work began in 1931 with the melodrama *Love and Duty*, directed by Bu Wancang. By 1933, she was voted second runner-up in a *Star Daily* poll for China’s "movie queen" (Hu Die won, and Chen Yumei was first runner-up). Starting with *Three Modern Women* (1932), she worked with leftist directors. In *Little Toys* (1933), directed by Sun Yu, she played a long-suffering toy-maker. Her next film, *The Goddess* (1934), directed by Wu Yonggang, is often considered the peak of Chinese silent cinema; she sympathetically played a prostitute raising a child. Later that year, she starred in *New Women*, directed by Cai Chusheng, as an educated woman driven to death by a cruel society. The film was based on actress Ai Xia, who killed herself in 1934. Her final film, *National Customs*, was released shortly after her death. One of her earliest films, *Love and Duty* (1931), long thought lost, was discovered in Uruguay in 1994.

At 16, Ruan met Zhang Damin, whose family her mother worked for. Zhang was later cut off from his wealthy family due to his spending habits and became a chronic gambler, supported by Ruan’s salary. Unable to tolerate his gambling, she left him in 1933. She then began living with tea tycoon Tang Jishan. In 1935, Zhang sued Ruan for reparations. Tabloids seized on this to probe her private life, putting her under intense pressure.

After *New Women* was released in Shanghai in 1935, director Cai Chusheng faced heavy pressure from hostile tabloid reporters because the film harshly depicted Shanghai’s tabloids. He was forced to make extensive cuts. Even so, Ruan’s private life was mercilessly attacked by the tabloids, and her lawsuit with Zhang became a source of vindictive coverage.

Facing these public and private problems, Ruan died by suicide on March 8, 1935, in Shanghai, at age 24, from an overdose of barbiturates. Her suicide note reportedly included the line "gossip is a fearful thing," though recent researchers doubt its authenticity, believing it may have been forged by Tang Jishan. China’s leading intellectual Lu Xun was appalled and wrote an essay titled "Gossip is a Fearful Thing," denouncing the tabloids. Recent researchers believe her deteriorating relationship with Tang and Zhang’s lawsuit caused her death, worsened by the mob media after *New Women* was released, since the film depicted Ai Xia’s suicide from media rumors about her private life. Ruan is also believed to have been physically abused on the evening she died.

Her funeral at the Wanguo Funeral Home lasted three days. Many well-known actors and actresses attended, including Wang Renmei, Lin Chuchu, and Liang Saizhen. Pallbearers included leading directors such as Lai Man-Wai, Fei Mu, Wu Yonggang, and Cai Chusheng. Her casket was taken to a cemetery in Zhabei district. The funeral procession was reportedly long, with three women committing suicide during the event. *The New York Times* called it "the most spectacular funeral of the century." In 1998, a uniquely designed monument to her debuted in Fushouyuan Cemetery in Shanghai.

Two sets of suicide notes purportedly written by Ruan before her death exist. The first set was published in *Lianhua Pictorial* on April 1, 1935, in a commemorative issue, supplied by Tang Jishan. These notes are now believed to have been forged by Tang, as Ruan was unlikely to have written a letter to the press over her suicide, especially with lines like "[my spirit] will watch over you forever and ever" to Tang.

born
April 26, 1910, Shanghai, China
died
March 8, 1935, Shanghai, China
field
Actress (silent films)
nationality
Chinese
known_for
Leading roles in silent films such as The Goddess and New Women; suicide at age 24

Lore & Background

Ruan was born to a working class family in Shanghai, and her ancestral home is in Xiangshan, Guangdong. Her father died when she was young, and her mother brought her up working as a housemaid. In 1926, to help make ends meet, Ruan signed up for the prominent Mingxing Film Company. She made her first film at the age of 16. The film, A Married Couple in Name Only (掛名的夫妻/挂名的夫妻), was directed by Bu Wancang. Two years later, she was signed by Da Zhonghua Baihe Company (大中華百合公司/大中华百合公司), where she shot six films. Her first big break came in Spring Dream of an Old Capital (故都春夢 or Reminiscences of Beijing, 1930), which was a massive hit in China. It was Ruan's first major work after signing with the newly formed Lianhua Studio in 1930. In it, she played a prostitute by the name of Yanyan. Thereafter, Ruan became Lianhua's major film star. Her most memorable works came after 1931, starting with the melodrama Love and Duty (directed by Bu Wancang). Ruan had by then gained popularity owing to a string of leading roles, and in 1933 she was voted second runner-up in a poll held by Star Daily (明星日報) for China's 'movie queen'. (Hu Die emerged the winner and Chen Yumei was first runner-up). Beginning with Three Modern Women (1932), Ruan started collaborating with a group of leftist Chinese directors. In Little Toys (1933), a film by Sun Yu, Ruan played a long-suffering toy-maker. Her next film, The Goddess (1934; dir: Wu Yonggang), is often hailed as the pinnacle of Chinese silent cinema; Ruan sympathetically portrayed a prostitute bringing up a child. Later that year, Ruan made her penultimate film, New Women (directed by Cai Chusheng), in which she played an educated woman forced to death by an unfeeling society. The film was based on the life of actress Ai Xia, who killed herself in 1934. Her final film, National Customs, was released shortly after her death. One of Ruan's earliest films, Love and Duty (1931), directed by Bu Wancang and long believed to be a lost film, was discovered in Uruguay in 1994.

Reader's Guide

At the age of 16, Ruan became acquainted with Zhang Damin (张达民/張達民), whose family her mother worked for. Zhang was later driven out of his wealthy family due to his spendthrift ways and became a chronic gambler, supported by Ruan's salary. Unable to tolerate Zhang's gambling, Ruan split with him in 1933. She then began living with Tang Jishan, a tea tycoon. In 1935, Zhang filed a lawsuit asking for reparations from Ruan. The tabloids seized on this opportunity to probe into Ruan's private life and put her under intense pressure. Following the completion of New Women, Ruan's life began to unravel. The film opened in Shanghai in 1935. Cai Chusheng was under massive pressure from tabloid reporters, who were extremely hostile, owing to the scathing depiction of the Shanghai tabloids in the movie. Cai was forced to make extensive cuts to the film. Even after that, Ruan's private life was mercilessly seized upon by the tabloids and her lawsuit with her first husband, Zhang Damin, became a source of vindictive coverage. Faced with her various public issues and intense private problems, Ruan committed suicide in Shanghai on March 8, 1935, at the age of 24, by taking an overdose of barbiturates. Her suicide note apparently contained a line which says 'gossip is a fearful thing' (人言可畏), although recent researchers have doubted the note's authenticity as it appears to have been forged by Tang Jishan. Even China's preeminent intellectual Lu Xun was appalled at the details surrounding Ruan's death and wrote an essay entitled 'Gossip is a Fearful Thing', denouncing the tabloids. Recent researchers believe her deteriorating relationship with Tang Jishan and Zhang Damin's lawsuit were the cause of Ruan's death. It was further intensified by the mob media of China after New Women was released, since the film depicted the life of actress Ai Xia, who committed suicide due to media rumors about her private life. Ruan is also believed to have been physically abused on the evening that she died. Her funeral service at the Wanguo Funeral Home lasted for three days. Several well-known film actors and actress attended her funeral, including Wang Renmei, Lin Chuchu and Liang Saizhen, and her pallbearers included some of the leading film directors such as Lai Man-Wai, Fei Mu, Wu Yonggang and Cai Chusheng. After the service, Ruan's casket was taken to a cemetery in Zhabei district. Her

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